{"id":24041,"date":"2022-11-21T15:10:57","date_gmt":"2022-11-21T15:10:57","guid":{"rendered":"https:\/\/www.lidemschool.com\/?p=24041"},"modified":"2022-11-21T15:11:10","modified_gmt":"2022-11-21T15:11:10","slug":"mocca-analisi-de-lstoryboard","status":"publish","type":"post","link":"https:\/\/www.lidemschool.com\/ca\/blog\/mocca-analisi-de-lstoryboard\/","title":{"rendered":"‘Mocca’: an\u00e0lisi de l’storyboard"},"content":{"rendered":"

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El projecte final de carrera dels estudiants d’Animaci\u00f3 3D, 3D Generalista i Art de 2022 de ‘Mocca<\/strong><\/a>‘. Un curtmetratge que ens convida a reflexionar sobre el ritme de vida actual i la necessitat d’optar por una manera de vida m\u00e9s lent i conscient. En aquest post analitzarem el treball desenvolupat en l’\u00e0rea de\u00a0storyboard\u00a0de la m\u00e0 d’Antonio Santamar\u00eda, professor del\u00a0Idem.<\/p>\n

El curtmetratge funciona com un projecte real. “No pot haver-hi errors ni retards en el lliurament, ja que hi ha molts estudiants esperant l’storyboard per a comen\u00e7ar la seva comesa”, nos ha explicat Antonio. En aquest sentit i des del seu lloc de coordinador de storys, s’ha assegurat que “els alumnes que exerceixin aquest apartat el facin b\u00e9 i a temps”.<\/p>\n

El gui\u00f3 gr\u00e0fic de ‘Mocca’<\/h2>\n

Per a un projecte de les caracter\u00edstiques de ‘Mocca’, habitualment Antonio Santamar\u00eda selecciona a dos estudiants per a dur a terme el gui\u00f3 gr\u00e0fic del relat. No obstant aix\u00f2, “en aquesta promoci\u00f3 l’inter\u00e8s per la professi\u00f3 de story artist i la gran qualitat que han demostrat els alumnes en el transcurs de la carrera, m’ha portat a decidir ampliar el nombre de participants a tres”, ens ha declarat. I en aquest curt ha triat als estudiants que, en primer lloc, estan interessats a fer l’storyboard i despr\u00e9s, tenen la qualitat, serietat i motivaci\u00f3 necess\u00e0ria per a dur-los a terme.<\/p>\n

Per a aquest curtmetratge s’han apuntat tres persones. D’una banda, la Laura Guasch i l’Estela Capallera, estudiants especialitzades en animaci\u00f3 que, segons explica Antonio, “sempre han realitzat els exercicis de storyboard amb molta solv\u00e8ncia i criteri cinematogr\u00e0fic”. I, d’altra banda, l’\u00c1lvaro Pozo, estudiant de l’especialitzaci\u00f3 d’Art amb gran capacitat per al desenvolupament de conceptes visuals. El treball de storyboard s’ha dividit en tres parts homog\u00e8nies “mirant que cadascun comenc\u00e9s amb una seq\u00fc\u00e8ncia nova perqu\u00e8 aquesta realitzaci\u00f3 i manera de comptar els plans no sofr\u00eds massa”, ha comentat Antonio.<\/p>\n

‘Mocca<\/em>‘ transcorre majorment en un espai molt redu\u00eft: l’interior de la cafeteria. I s’amplia com a m\u00e0xim a l’exterior de la cafeteria i els locals que t\u00e9 al seu al voltant, dins del centre comercial. Per tant, segons el nostre professor “no requeria tampoc una gran virtuositat en grans plans generals, sin\u00f3 m\u00e9s aviat una major atenci\u00f3 i cura en la posada en escena dins d’aquest habitacle petit”. L’\u00fas d’elements en overlay o enquadraments interessants, que permetien aprofitar les possibilitats que ofereix el modelatge en 3D, van ser par\u00e0metres a seguir en la realitzaci\u00f3 dels plans.<\/p>\n

\n

La vinculaci\u00f3 amb el departament de 3D<\/h2>\n

El curt va presentar un repte interessant als storyboardistes: si els plans anaven a ser relativament m\u00e9s pr\u00f2xims, l’expressivitat dels personatges hauria de ser definit\u00f2ria. I el primer que es van trobar va ser que els personatges\u2026eren robots! En el treball de storyboard, els estudiants van haver de resoldre molts matisos d’interpretaci\u00f3 i gestualitat visual perqu\u00e8 la hist\u00f2ria flu\u00eds i s’entengu\u00e9s a la perfecci\u00f3.<\/p>\n

Al llarg del proc\u00e9s de creaci\u00f3, els storyboard artists van treballar en estreta col\u00b7laboraci\u00f3 amb el departament de modelatge 3D pel fet que els personatges tenien una manera de funcionar molt concreta. Per tant, en el disseny de plans, van haver de partir de la base sobre la qual estaven creant a cada personatge els companys de 3D.<\/p>\n

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Mocca, l’amo de la cafeteria, \u00e9s en si mateix una cafetera vivent. Mol el caf\u00e8 al seu cap, aixecant una tapa d’estil itali\u00e0. El caf\u00e8 molt passa pel seu interior, es barreja amb aigua i acaba sortint per un dels seus dits, directament a la tassa del consumidor. Tot aquest circuit havia de ser fidel al modelatge que s’estava fent i per exemple, Laura, que es va encarregar de la primera part, ho va fer tan b\u00e9 que semblava estar animat ja en 2D.<\/p>\n

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Per als matisos de Latte Estela va tenir gran cura en l’expressivitat del personatge i va saber donar-li “aquesta gr\u00e0cia, ingenu\u00eftat i jovialitat que la robot transmet”, ha explicat Antonio. “Aquestes interpretacions, la idea d’afegir un display a trav\u00e9s d’una esp\u00e8cie de gagas de VR i la transformaci\u00f3 de Mocca en una esp\u00e8cie de superrobot cafeter va fer cr\u00e9ixer visualment la hist\u00f2ria de manera extraordin\u00e0ria”.<\/p>\n

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L’\u00c1lvaro es va centrar en l’storyboard del final del curt. “El fet d’afegir un cartell exterior on es llegeix \u201cM\u00e9s lent, per\u00f2 millor\u201d tanca el cercle i contrasta amb la manera fast food<\/em> de fer caf\u00e8s que tenia la m\u00e0quina rival amb la seva \u201cFaster New\u201d”, ha explicat Antonio.<\/p>\n

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El projecte final de carrera dels estudiants d’Animaci\u00f3 3D, 3D Generalista i Art de 2022 de ‘Mocca’. Un curtmetratge que ens convida a reflexionar sobre el ritme de vida actual i la necessitat d’optar por una manera de vida m\u00e9s lent i conscient. En aquest post analitzarem el treball desenvolupat en l’\u00e0rea de\u00a0storyboard\u00a0de la m\u00e0 […]<\/p>\n","protected":false},"author":7,"featured_media":22765,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","content-type":"","inline_featured_image":false,"footnotes":""},"categories":[38],"tags":[484],"class_list":["post-24041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animacion","tag-curtmetratge"],"yoast_head":"\nL'Idem Barcelona | 'Mocca': an\u00e0lisi de l'storyboard<\/title>\n<meta name=\"description\" content=\"Antonio Santamar\u00eda analiza la tarea llevada a cabo por las storyboard artist en el cortometraje de Animaci\u00f3n 3D 'Mocca'.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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